Playing in a Worship Band IS a Performance

A lot of worship musicians are scared of the word “performance.” They’ll say something like this: “playing in a worship band is not a performance – we’re worshipping God with our voices and instruments! Make sure you’re playing for The One!” … or something like that.

However, I have some news for anyone who has ever stood on a stage and sung or played worship music: it’s totally a performance.

Let’s start this discussion by defining what I mean by “performance.” Here’s a Dictionary.com definition of the word Performance:

  • a musical, dramatic, or other entertainment presented before an audience.
  • the act of performing a ceremony, play, piece of music, etc.

By that definition, when we lead worship … we’re standing on a stage, playing for others. We’re mic’d up and plugged in. We practiced and rehearsed.

Guess what? Our worship time at a church is very definitely a performance.

So now that we’ve cleared that up… let’s toss in a small caveat. Yes, it’s a performance. But the performance is not the end goal.

And that’s the HUGE difference between a concert and a worship time at church. With a concert, the end goal is the music – playing it well, hoping attendees enjoy it. But during a worship set, the music plays a role in the end goal … but it’s very definitely NOT the focus of the worship time. The real end goal is to worship God.

Here’s a better way to say it: the end goal is not the performance; it’s the participation. Our goal is to get people to engage with God. It’s performance, but with a separate, very focused, purpose.

Our goal as worship musicians is to make the songs that we play easily singable! It’s why worship music isn’t usually all that difficult to play – there aren’t many weird musical leaps in the songs. The words tend to have a single focal point … and we project the words on huge screens on the wall so people can easily see them.

Why? Because our goal is to lead a large group of people in musically-focused worship. Our performance elements should all point to the end goal of engaging the congregation in worship, and in pointing them to God. 

Don’t let the performance get in the way of worship. Yes, we need to nail the song. But if the worship leader feels that we need to hang for a moment, to get quiet, to re-sing a chorus. Even if it’s different than the original… that’s great. Because our goal is isn’t to nail the song exactly as written. It’s to worship.

One other side of this to think about – too much personal worship vs leading worship:

I love this quote from Paul Baloche: “But, it’s important to realize that when we’re leading worship we’re more like a waiter. It’s not our turn to sit down and eat our dinner. We may worship, but we actually have a role at that moment, and our job is to wait on others—to serve others at that point. We have to be willing to give up a little bit of our overwhelming connection with God and connect with Him through serving of His people.”

So again – when we play in a worship band on a Sunday morning … it is very definitely a performance. But it’s a performance with a purpose: to help lead the congregation in corporate worship (not personal worship).

Hope this helps someone struggling with that weird word … performance!

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Posted in Leading Worship, Worship

New Album – Full Range of Freaks

Wow … I haven’t posted here since 2019! It’s time to start back up again.

Mainly because of this: my band, The Freshman Senators … has a new album! It’s called Full Range of Freaks, and you can find it at Bandcamp, Spotify, Amazon Music, etc. – pretty much anywhere you can stream music.

Here’s the embed link – give us a listen!

This was a blast to create! This album is a mix of songs we had written or mostly written in the mid-1980s but had never recorded, and some newer music as well. All recorded in my basement! It’s also a fun mix of catchy tunes and musical weirdness. And a lot of live, recorded mistakes – we were going for capturing the energy (not a perfect performance).

I think we captured ourselves pretty well – so again, please listen, stream, share, comment, etc! Let me know what you think (and thanks for listening).

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Posted in new album, Recording

New Music – practicing with my band!

Check out some new/old music from my band, the Freshman Senators!

So – this is my college band, formed in the 1980’s. This last year, we have started getting back together, doing what we always do best – jam and make music together.

0015733725_20So it’s been a blast! It’s also been fun attempting to record the practices. Back in the day, we simply plopped a cassette tape into a simple recorder, and got whatever we could with it.

This year, I’ve been using my Focusrite Clarett 8Pre to capture the practice sessions. The Focusrite gives me 8 channels to work with. Here’s what I’m doing (take a listen above to see how it came out):

  • 4 channels for drums (kick, snare, two overhead mics).
  • 3 channels for bass and two guitar amps, all with mics.
  • 1 channel for vocals. This gets tricky:
    • 4 vocal mics going into a cheap Behringer board
    • two outs, each going to a guitar amp used as a vocal monitor (hey – it’s what I have)
    • Headphone out of the board running into the final channel on the Focusrite, to capture the vocals.

Vocals is (obviously) the hardest, and you can hear that in the mix. Some vocals aren’t very balanced (i.e., background vocals are louder than the main vocal, one mic was a lot quieter than the others, etc). Also, I’m singing some of the songs from behind the drums, so my vocal mic is acting as a 5th drum mic. Works great … until you put reverb on the mic, want to raise the volume up for that quieter vocal mic I mentioned, etc.

Oh well. As far as a recording of a band practice goes … this is pretty freaking good!

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Posted in Playing Live, Recording

Recording Drums with Two Microphones!

In this video, I continue my series on recording drums … by doubling the about of microphones I used!

This time, I used two Shure SM57s – one in the kick drum, and one as an overhead. The overhead was positioned similarly to the mic in my “one mic” video, but raised higher, since it didn’t need to capture kick drum also.

No eq or compression on this one – just drum and mic sounds.

I think it sounds pretty good! I can hear a little imbalance in the cymbals – the ride cymbal sounds a bit loud, and my slashes are really quiet. I think they would be louder with a second overhead mic placed a bit closer to that side of my drum set.

Otherwise, not bad! (well, except perhaps for my playing).

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Posted in Drums, Recording

Changing Snare Drum Heads!

Time to change top and bottom heads on my snare drum. Here’s how I do it! I show how I remove and replace both heads, deal with the snare wires, and tune both the top or batter head and the bottom or snare side head.

Fun stuff!

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Posted in Drums
David Lee King

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